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Achieving significant US fame was a newly attainable, if still distant, milestone for South Korean pop groups thanks to the 2000sвЂ™ tremendous exporting of South Korean culture overseas вЂ” a trend known as Hallyu, the Korean Wave. Like an arrow in the blue sky.In 2012, Rolling Stone published a list of the 10 K-pop bands most likely to make it big in the US. The day will come back around. Hold my hand (Hold it) To the future, letвЂ™s run away (Oh, oh, oh) Chorus: All Like an echo in the forest.

This song is sung by Illusion. The duration of song is 03:50. BTS song from the album The Best Of Illusion is released on Nov 2011.

Seo Taiji and Boys were innovators who challenged norms around musical styles, song topics, fashion, and censorship, which was unprecedented for a culture whose musical production had spent the past few decades subjected to strict government oversight. But the band in question вЂ” Bangtan Boys, later officially known as BTS вЂ” would go on to completely transform the image of all-male boy bands in South Korean music and shatter conceptions of what breakout success looked like for South Korean bands overseas.How did K-pop become a $5 billion global industry?Vox explore K-popвЂ™s elaborate music videos, adoring fans, and killer choreography for our Netflix series Explained.BTS is the product of an industry insider who wanted to create a new kind of idolK-pop began on April 11, 1992, when a hip-hop trio called Seo Taiji and Boys performed in a talent show on a national South Korean network. On December 22, 2012, the group released a number of Soundcloud clips featuring its seven members rapping in Korean and English вЂ” including a rap cover of WhamвЂ™s вЂњLast Christmas.вЂќIt was hardly the stuff of attention-getting Korean hip-hop. Fast, easy, secure, nonpartisan.It didnвЂ™t, however, include a group of teenage boys, then-recently assembled through a studio audition process, who were being meticulously polished and prepped for their debut. Register to vote, check your registration status, and more.

If theyвЂ™re chosen, the studio exerts a huge amount of control, not only over the songs they sing and the way their band is marketed but also over their daily lives.Idol groups have come to dominate the Korean music industry, but there are well-known toxic and abusive elements to idol life. Children who enter these studios spend most of their lives enduring rigorous training to become part of an idol group. Assembled through auditions and years of grooming within an intense studio culture вЂ” the highly regimented system of idol group production in Korean and Japanese music studios вЂ” idol groups are polished to perfection, designed to present the very highest standards of beauty, dance, and musicality.

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As a studio owner, he confessed to insecurity about his work and said he admired singers who could express their personalities in their music. He worked as an arranger and producer with the studio JYP until 2005, when he left to form his own Big Hit Entertainment.But Bang also struggled with his position within the industry. A successful songwriter and music producer, Bang was nicknamed вЂњHitmanвЂќ for writing a string of popular songs, from g.o.d.вЂ™s вЂњOne CandleвЂќ in 1999 to T-araвЂ™s вЂњLike the First TimeвЂќ a decade later. Even today, idols typically only feel free to open up about their struggles after their studio careers have come to an end.It was within this environment that a man named Bang Si-hyuk began to quietly build a different kind of studio, and to cultivate the band that would become BTS. As part of the process, they systematically ironed out most of the personal expression and socially conscious music that Seo Taiji was originally known for вЂ” after all, itвЂ™s hard to express yourself when youвЂ™re contractually forbidden to have a personal life. But in the early 2010s when BTS was formed, most studios had a highly regimented, restrictive approach to idol group production.

But he also wanted the band to be able to be sincere and genuine вЂ” not immaculate idols groomed amid studio culture, but real boys who shared their authentic personalities and talents with the world.This approach was quite different from the normal studio approach to idoldom, wherein idols are trained to be pleasant but mild вЂ” to function as blank slates upon which viewers can project their fantasies. Bang intended вЂњbulletproofвЂќ to function as a celebration of the kidsвЂ™ toughness and ability to withstand the pressures of the world. This would go on to become Bangtan Boys, then BTS, but the ingredients of their success were inherent in the original name.

They create and manage most of their own social media presence. Their lyrics are socially conscious and especially attuned to describing the pressures of modern teen life in South Korea. They frequently write their own songs and lyrics. There are six main ways BTS breaks with established precedent for K-pop boy bands to carry out this mission: Love MyselfвЂњWe came together with a common dream to write, dance and produce music that reflects our musical backgrounds as well as our life values of acceptance, vulnerability and being successful,вЂќ said BTSвЂ™s leader, RM, in a 2017 interview with Time. How they did it: a consciously authentic style combined with socially conscious messaging In 2017, BTS launched the вЂњLove MyselfвЂќ campaign with Unicef to end violence against kids.

What Big Hit Entertainment did, however, was systematize these elements in BTS, and market them hard.In the earliest videos of the band, from the months before their 2013 debut, the members were styled as young and sweetly innocent, maintaining the common вЂњschoolboyвЂќ concept of male K-pop idol groups. They talk openly about the struggles and anxieties of their career instead of presenting an extremely polished image at all times.It should be noted that most of these elements have been present in numerous other recent K-pop groups вЂ” most notably Big Bang, which probably influenced BTS more than any other K-pop group. (This is essentially still true despite their recent string of singles in the US.) They tend to focus on marketing entire albums rather than individual singles.

But Stephen and his co-hosts were initially skeptical of the band. And while they were clearly leaning on the confessional lyrical apathy of Seo Taiji and his early successors, it all seemed contrived rather than real.A K-pop commentator who goes by the mononym Stephen ran a weekly podcast, This Week in K-Pop, from 2013 to 2017, which chronicled new releases in K-pop and inevitably documented the rise of BTS. Their first single, вЂњNo More Dream,вЂќ was an ode to teen apathy, a rebellious rejection of Korean traditionalism.And it wasnвЂ™t exactly popular: Early audience reactions included a lot of eye-rolling at what was viewed as a superimposed gangster image the band hadnвЂ™t earned.

They spoke openly of the influence of Big Bang, which was also known for its socially conscious messaging. They did this by mixing their openness on social media with blunt and honest lyrics вЂ” and owning their status as an underdog group battling to succeed against other bands who came from established studios with larger budgets. ItвЂ™s very surface-level: hip-hop as a culture rather than as a musical genre.вЂќBTSвЂ™s climb to success, then, involved the band finding a way to communicate that this confessional image was real. вЂњK-pop really likes the look and attitude of hip-hop, but not too much. So when came out with this very in-your-face, вЂWeвЂ™re hip-hopвЂ™ image, it felt a little silly.вЂќStephen pointed out that K-pop in general suffers from this problem. вЂњBut in 2013 there wasnвЂ™t really that much, other than Big Bang.

Up to and after debut, skinny kids all crammed in a studio the size of a broom closet. вЂњAnd thatвЂ™s when I went back and watched their old vlogs.

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